A quietly powerful exhibition catalogue tracing the formative years of Shomei Tomatsu, one of the central figures of postwar Japanese photography. Made for the 2006 exhibition at Aichi Prefectural Museum of Art, this volume gathers early monochrome works photographed around Aichi from the 1950s to the mid-1960s: Nagoya streets, Seto craft culture, flood-stricken Issiki-cho, petrochemical landscapes, textile towns, children, workers, rooms, bodies, and traces of a rapidly changing Japan.
The book is especially valuable for readers interested in the origins of Tomatsu’s visual language. Before the celebrated trajectories of Nagasaki, Okinawa, and Occupation, these Aichi works show how his eye formed through local experience, social rupture, and the material textures of everyday life.
Aichi Prefectural Museum of Art / The Chunichi Shimbun / 2006 / 22.5 x 29.0 cm / 269 pp. / Monochrome
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這是一本安靜而有力的展覽圖錄，回到日本戰後攝影核心人物東松照明的形成期。全書收錄他 1950 年代至 1960 年代中期圍繞愛知拍攝的早期黑白作品：名古屋街道、瀨戶工藝、一色町水害、石化工業景觀、纖維町、孩童、勞動者、室內、身體，以及迅速變化中的日本社會痕跡。
對於關注東松照明創作源頭的讀者，這冊尤其重要。在長崎、沖繩與佔領系列成為代表性脈絡之前，愛知時期的作品已經顯示他如何從地方經驗、社會斷裂與日常物質感之中建立自己的觀看方式。
Aichi Prefectural Museum of Art / The Chunichi Shimbun / 2006 / 22.5 x 29.0 cm / 269 pp. / Monochrome
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